MIT

Additivity, singular definites, accommodation, non-monotone quantifiers, desire predicates (M-I-T)

Lecture 4: Chaplin, Part II (2007) (M-I-T)

Conjunction, type-shifting, event semantics, thematic roles, exhaustivity (M-I-T)

Lecture 5: Film as Global & Cultural Form; Montage, Mise en Scène (M-I-T)

Entailment, entailment-reversal, non-monotonicity, negated DPs (M-I-T)

Exceptives, approximatives, reconstruction, universal modals, mass vs. count nouns (M-I-T)

Lecture 6: German Film, Murnau (M-I-T)

Existence presupposition, constraints and requirements on pruning (M-I-T)

Lecture 7: The Studio Era (M-I-T)

Existential modals, exhaustification, revision of the Condition  (M-I-T)

Lecture 8: The Work of Movies; Capra & Hawks (M-I-T)

Extension of the entailment relation, decomposing definites, partitives, distributivity operator (M-I-T)

Intervention, minimizers, and variation  (M-I-T)

Lecture 9: Alfred Hitchcock (M-I-T)

Introduction: Television and Cultural Study (M-I-T)

Modified numeral quantifiers with distributive vs. collective predicates, maximal informativity, preview of the explanation  (M-I-T)

Other modal environments, Hindi NPIs, probability, and explanation (M-I-T)

Television As A Cultural Form (M-I-T)

Strawson entailment, surprise, only, singular definite descriptions  (M-I-T)

The Broadcast Era (M-I-T)

TV Genres 1 (M-I-T)

TV Genres 2 (M-I-T)

TV Genres 3 (M-I-T)

Introduction of Leadership Learning from Improvisation (M-I-T)

Workplace Scenarios and 'Being the Leader' (M-I-T)