MIT

"Night at Nihonbashi" (1881) (M-I-T)

"Shimbashi Station" (1881): a Comparison (M-I-T)

"Sumida River by Night" (1881) & "View of Atagoyama" (1878) (M-I-T)

"View of Takanawa Ushimachi Under the Shrouded Moon," 1879 (M-I-T)

Five-Module Structure of the Course (M-I-T)

"Year-end Market at Sensōji" (1881) (M-I-T)

8 Artists “100 Views of New Tokyo” (1928–1932) (M-I-T)

Ginza (#65), 8/7/1929, by Kawakami Sumio (M-I-T)

A Fire-Cleansed Canvas (M-I-T)

Great Fire in Ryogoku (M-I-T)

About Visual Narrative (M-I-T)

Great Kantō Earthquake, 1923 (M-I-T)

After the 100 Views (M-I-T)

Hasui's Shin-Hanga: Romantic Tradition with Subtext (M-I-T)

Army Firing Range in the Fields of Toyama [Ōkubo] (#93) (M-I-T)

Hibiya Park with Fresh Leaves & Azalea Blossoms (#5) July 1930 (M-I-T)

Mitsubishi in Marunouchi (#92), 12/1/1929, by Suwa Kanenori (M-I-T)

Asakusa Temple in Snow (1880) (M-I-T)

Hiratsuka Un’ichi "Scenes of Tokyo after the Earthquake" (1925) (M-I-T)

Mitsui Bank & Mitsukoshi Department Store (#3) (M-I-T)

Battery at Shinagawa (Fort in Edo Era) (#67) (M-I-T)

Hiroshige‘s ”100 Famous Views of Edo,“ 1856–1858 (M-I-T)

Before Tarō Inari Shrine at the Asakusa Ricefields (1881) (M-I-T)

Modernity & Loss (M-I-T)

Inside the Department Store (#67), 4/1/1930, by Kawakami Sumio (M-I-T)