Khan Academy

Sir John Everett Millais, Ophelia-notes (K-A)

Emily Mary Osborn, Nameless and Friendless (K-A)

Leighton, Bath of Psyche (K-A)

Sleeping Beauty — but without the Kiss: Burne-Jones and the Briar Rose series (K-A)

Ford Madox Brown, Work (K-A)

Room: 1890-1910 (K-A)

The Aesthetic Movement (K-A)

Hunt, Claudio and Isabella (K-A)

Wallis, Chatterton (K-A)

An Introduction to Photography in the Early 20th Century (K-A)

Hunt, Claudio and Isabella-notes (K-A)

Art and context: Monet's Cliff Walk at Pourville and Malevich's White on White (K-A)

Wallis, Chatterton-notes (K-A)

Hunt, Our English Coasts ("Strayed Sheep") (K-A)

Contemporary Art, an introduction (K-A)

Hunt, Our English Coasts ("Strayed Sheep")-notes (K-A)

Waterhouse, The Lady of Shalott (K-A)

Abstract Expressionism, an introduction (K-A)

William Butterfield, All Saints, Margaret Street (K-A)

Hunt, the Awakening Conscience (K-A)

Representation and abstraction: Millais's Ophelia and Newman's Vir Heroicus Sublimis (K-A)

Barnett Newman (K-A)

Ad Reinhardt (K-A)

William Morris and Philip Webb, Red House (K-A)

Hunt, The Awakening Conscience-notes (K-A)