The Pre-Raphaelites and mid-Victorian art (K-A)

A Beginner's Guide to the Pre-Raphaelites (K-A)

Burne-Jones, Hope (K-A)

Pre-Raphaelites: Curator's choice – Ford Madox Brown's 'Work' (K-A)

Burne-Jones, Hope-notes (K-A)

Pre-Raphaelites: Curator's choice – Millais's Isabella (K-A)

Burne-Jones, King Cophetua and the Beggar Maid (K-A)

Rossetti, Beata Beatrix (K-A)

Burne-Jones, King Cophetua and the Beggar Maid-notes (K-A)

Burne-Jones, The Depths of the Sea (K-A)

Rossetti, Ecce Ancilla Domini (K-A)

Rossetti, Proserpine (K-A)

Burne-Jones, The Golden Stairs (K-A)

Sir John Everett Millais, Christ in the House of His Parents (K-A)

Burne-Jones, The Golden Stairs-notes (K-A)

Sir John Everett Millais, Christ in the House of His Parents-notes (K-A)

Dyce's Pegwell Bay, Kent – a Recollection of October 5th, 1858 (K-A)

Sir John Everett Millais, Ophelia (K-A)

Dyce, Pegwell Bay, Kent – a Recollection of October 5th, 1858-notes (K-A)

Sir John Everett Millais, Ophelia-notes (K-A)

Emily Mary Osborn, Nameless and Friendless (K-A)

Sleeping Beauty — but without the Kiss: Burne-Jones and the Briar Rose series (K-A)

Ford Madox Brown, Work (K-A)

The Aesthetic Movement (K-A)

Hunt, Claudio and Isabella (K-A)

Wallis, Chatterton (K-A)