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The Pre-Raphaelites and mid-Victorian art (K-A)
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Pre-Raphaelites: Curator's choice – Millais's Isabella (K-A)
Pre-Raphaelites: Curator's choice – Millais's Isabella (K-A)
Course:
The Pre-Raphaelites and mid-Victorian art (K-A)
Discipline:
Social Sciences
Institute:
Khan Academy
Instructor(s):
Level:
Undergraduate
The Pre-Raphaelites and mid-Victorian art (K-A)
A Beginner's Guide to the Pre-Raphaelites (K-A)
Burne-Jones, Hope (K-A)
Pre-Raphaelites: Curator's choice – Ford Madox Brown's 'Work' (K-A)
Burne-Jones, Hope-notes (K-A)
Pre-Raphaelites: Curator's choice – Millais's Isabella (K-A)
Burne-Jones, King Cophetua and the Beggar Maid (K-A)
Rossetti, Beata Beatrix (K-A)
Burne-Jones, King Cophetua and the Beggar Maid-notes (K-A)
Burne-Jones, The Depths of the Sea (K-A)
Rossetti, Ecce Ancilla Domini (K-A)
Rossetti, Proserpine (K-A)
Burne-Jones, The Golden Stairs (K-A)
Sir John Everett Millais, Christ in the House of His Parents (K-A)
Burne-Jones, The Golden Stairs-notes (K-A)
Sir John Everett Millais, Christ in the House of His Parents-notes (K-A)
Dyce's Pegwell Bay, Kent – a Recollection of October 5th, 1858 (K-A)
Sir John Everett Millais, Ophelia (K-A)
Dyce, Pegwell Bay, Kent – a Recollection of October 5th, 1858-notes (K-A)
Sir John Everett Millais, Ophelia-notes (K-A)
Emily Mary Osborn, Nameless and Friendless (K-A)